Performing great choral works in York since 1876

Welcome

Founded in 1876, York Musical Society is the city's longest-established choral society. For over 150 years we have brought together performers and audiences to share some of the greatest works in the choral repertoire, from well-loved classics to rarely performed gems that deserve a wider hearing.

We perform three or four concerts a year, often in the magnificent surroundings of York Minster. Our programmes are shaped by a love of choral music in all its variety and have featured works ranging from Handel's Messiah to Elgar, Bach and Brahms.

Beyond York, we enjoy a long and valued partnership with the Philharmonischer Chor Münster — a choir of similar size from York's German twin city. What began in 1993 as a gesture of reconciliation has grown into a warm and enduring friendship, with regular joint concerts in both York and Münster.

Upcoming concerts

Buy our book

Our new book “150 Years of Choral Singing” is now available. Click for more information.

150 Years of Choral Singing
£5.00

From a winter performance of Handel's Messiah in December 1876 to a critically acclaimed Verdi Requiem at York Minster in 2025, the story of York Musical Society is one of passion, perseverance, and extraordinary music-making. Now, to mark this remarkable 150th anniversary, that story has been told in full for the first time.

Written by YMS Archivist Dr Rosemary Anderson, 150 Years of Choral Singing is a richly illustrated journey through a century and a half of choral life in one of England's most historic cities. Meet the colourful conductors who shaped the choir's character — from the famously irascible Sir Edward Bairstow, who was ultimately forced to resign after reducing singers to walking out of rehearsals, to the inspirational David Pipe, who steered the choir through a global pandemic and into its 150th year at the peak of its powers. Discover the moments that made history: singing German Requiem in York Minster during the First World War in defiance of anti-German sentiment; performing for the Coronation of Queen Elizabeth II in the Museum Gardens; and filling the Minster nave with 700 voices for an unforgettable Come and Sing Messiah.

Packed with archive photographs, historic concert programmes, and fascinating details drawn from newspaper reports and the YMS archive, this booklet is a treasure for music lovers, York history enthusiasts, and anyone who has ever sung with — or simply been moved by — this remarkable choir.

This limited edition is available now for just £5 plus postage & packaging. The cost of the design and printing of the booklet has been covered by a donation so the entire cover price will go towards supporting the future of YMS.

A5, 32 pages, full colour

  • "Intensely passionate, strangely driven, deeply spiritual: just three ways to describe this wonderful performance delivered by David Pipe and his choir and orchestra of more than 250... Thank you for a terrific evening. Our great choral tradition remains in confident hands."

  • "Any choir can sing loudly, but a choral pianissimo can be much more telling: the whispered opening here was just what was needed for atmosphere and the a cappella Te Decet built upon it reverently....We could only marvel at the majestic grandeur of it all. This was York Musical Society – both choir and orchestra – at the peak of its powers."

  • "David Willcocks’ arrangement of the English traditional Sussex Carol sounded both joyful and effortless. This is no easy thing as the writing is deceptively difficult, especially for the sopranos. This was followed by an utterly splendid performance of O Come, All Ye Faithful by us, the People’s Choir."

    Review: Christmas Concert, December 2025

  • "The choir sang their hearts out and held fast throughout;....the Oscar surely goes to director David Pipe, whose assured direction balanced both the drama and the inward reflection at the heart of Bach’s St Matthew Passion, even in the vast acoustic of York Minster."

  • "David Pipe’s judgement was an impressive feature throughout the concert... the Credo is in itself an altogether satisfying movement, probably on account of its clearly defined symmetrical structure. There was an impressive account of Et In Unum Dominum Jesus Christum from Zoë Brookshaw (soprano) and Tom Lilburn (countertenor) with sympathetic string commentary... a splendid Dona Nobis Pacem to bring this enormous spiritual journey to a satisfying conclusion."

  • "As ever in an impressive performance of a truly great work, there are fresh moments of insight....The closing The heavens are telling (Part One) chorus was splendid....The closing The Lord is great with its monumental double fugue brought the best out of a very good choir. There was fine work throughout the orchestra, the violins in particular, Shaun Turnbull (organ continuo) and Oliver Bryant (contrabassoon) should get a pay rise for that one low note alone."

  • "The YMS Orchestra were splendid throughout the programme; the clarity of direction from conductor David Pipe was always clean, musical and authoritative. But the last word must go to the YMS singers and the sopranos in particular, who gave it their all."

  • "an invigorating evening, when the choir of York’s twin city, Münster, joined forces with York Musical Society’s choir..Pipe’s broad tempos were excellently judged for this vast acoustic...the exhilarating timelessness of Whitman’s vision, crystallised here in the ultra-soft ending."

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